Ultraviolence Backing Vocals – Alfreda McCrary Lee*, Ann McCrary, Regina McCrary Drum Programming – Collin Dupuis Drums – Maximilian Weissenfeldt* Electric Bass – Nick Movshon Electric Guitar – Dan Auerbach, Kenny Vaughan, Seth Kaufman* Mellotron – Leon Michaels* Pedal Steel Guitar – Russ Pahl Piano – Leon Michaels* Synthesizer – Leon Michaels* What managed to get overlooked by many was that Born to Die made such a polarizing impression because it actually offered something that didn't sound like anything elseĬruel World Drums – Maximilian Weissenfeldt* Electric Bass – Nick Movshon Electric Guitar – Dan Auerbach, Kenny Vaughan Handclaps – Dan Auerbach, Leon Michaels*, Maximilian Weissenfeldt*, Nick Movshon, Seth Kaufman* Mellotron – Leon Michaels* Pedal Steel Guitar – Russ Pahl Synthesizer – Leon Michaels*, Seth Kaufman* The maelstrom of hype surrounding self-modeled Hollywood pop star Lana Del Rey's 2012 breakthrough album, Born to Die, found critics, listeners, and pop culture aficionados divided about her detached, hyper-stylized approach to every aspect of her music and public persona. Musing on dark themes-the corruption of power, money, and, of course, violence-Del Rey offers a hypnotic set of darkly tempered songs. The spine-tingling magic of Lana Del Rey’s Ultraviolence lies in the album’s striking, sudden contrasts-moments, as on West Coast, when Del Rey’s cool detachment wells up into a wail of emotional anguish. Lana has a knack for recontextualizing vintage ballads - her restrained "Blue Velvet" wasn't the Lynchian creep-fest it could have been - and here, she lets her voice quiver like that of a lonely old homewrecker taking stock of her life. Del Rey closes the album by saying so explicitly and covering an old standard famously recorded by Nina Simone in 1959. On "Ultraviolence" - her third studio LP and second since transforming herself from mild-mannered retro songstress Lizzie Grant into the hyper-stylized post-modern glamour queen we've all come to love and/or hate - Del Rey once again dives into the depravity of American culture. She has pulled back on nods to hip-hop and hired a new gun: the Black Keys‘ Dan Auerbach, who produced most of the LP at his Nashville studio. Ultraviolence is a melancholy crawl through doomed romance, incorrigible addictions, blown American dreams. Two years later, Del Rey is still a sad tomato.
2012’s Born to Die, Del Rey’s major-label debut, is a woozy collection of siren songs that mimics Peggy Lee’s gauzy romanticism by way of Mazzy Star. Three years ago, Lana Del Rey seemed to hatch into existence as a fully formed provocateur: She has introduced previously untasted flavors to pop music (her slow, torchy genre of choice might best be described as Calvin Klein Eternity commercial ) and shaped herself into as crafty a video star as Lady Gaga, making her racy, mysterious clips a core part of her brand. A music video, directed by Francesco Carrozzini, was released on July 30, 2014. The song was released on June 4, 2014, by Polydor and Interscope Records, as the third single from Ultraviolence. It was co-written by Del Rey, and Daniel Heath, and produced by Dan Auerbach. Ultraviolence" is a song recorded by American singer and songwriter Lana Del Rey for her third studio album, Ultraviolence (2014).
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Written By Lana Del Rey.ġ Lana Del Rey-Ultraviolence (Deluxe) Full Album.
It’s like that for 7 songs, then the rhythm slows and it turns into ballads and then it increases again for the last 20 minutes. I call the 25 seconds of guitar in it narco-swing : you listen to them and you feel like you’re on drugs. Lana Del Rey describing the Ultraviolence album (translated): The first, Cruel Worl. She was photographed in a recording studio on Januin Los Angeles, California. Del Rey presumably began working on her second around this time.
After having commercial success with her first major-label album, Born to Die, Del Rey re-released it accompanied by a standalone EP, Paradise, in late 2012. It was officially released on June 13, 2014, by Universal Music Group. Ultraviolence is the third studio album and second major-label studio album by Lana Del Rey.
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